Warli: The Stick-Figure Stories of the North Sahyadris
White rice paste on red earth: the Warli tribe's spare, geometric murals turn farming, weddings and worship into a visual language anyone can read.
Deep, documented stories of India's living crafts — the saris, chairs, shoes, leather, metal and woodwork of every region, and the people who still make them by hand.
New craft, documented in depth — history, technique, and how to tell the real thing.
White rice paste on red earth: the Warli tribe's spare, geometric murals turn farming, weddings and worship into a visual language anyone can read.
In the temple towns of the Thanjavur country, hereditary sthapathis still cast gods in bronze by the lost-wax method the Cholas used a thousand years ago.
Turned on a lathe, painted in tin and sealed in lac, Sankheda's maroon-and-gold furniture has carried a Gujarat village's name around the world since the nineteenth century.
In Saharanpur, at the foot of the Shivalik hills, generations of carvers have turned sheesham and teak into furniture that carries the city’s name around the world.
Worked from the wrong side of coarse cotton with bright silk floss, Phulkari turned everyday cloth into a garden — and a bride's most personal inheritance.
In a village where every house is a workshop, the hereditary painters of Raghurajpur still tell the stories of Jagannath on cloth prepared with tamarind and chalk.
North, south, east, west and the heartland — every region crafts differently.
From Kashmir's pashmina to Varanasi's brocade — the Himalaya, the Gangetic plain and the desert edge.
Terracotta temples, painted scrolls and lost-wax bronze — Bengal, Bihar and Odisha.
From loom to furnace to workbench.
State by state, the catalogue grows.