Thanjavur Bronze: The Lost-Wax Gods of the Chola Country
In the temple towns of the Thanjavur country, hereditary sthapathis still cast gods in bronze by the lost-wax method the Cholas used a thousand years ago.
Brass, bronze, iron and inlay — fire, hammer and lost wax.
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In the temple towns of the Thanjavur country, hereditary sthapathis still cast gods in bronze by the lost-wax method the Cholas used a thousand years ago.
In Moradabad, sand from the Ramganga, fire, and a hand-held chisel turn plain brass into engraved work the world has bought for four centuries.
In Bikna village, every Dokra figure is cast once and only once, because the mould must be broken to free it.
Silver inlaid on metal blackened with soil from Bidar Fort — Bidriware is the Deccan's most dramatic craft, and one of its most endangered.
No moulds, no casting — Bastar's Lohar smiths beat recycled scrap iron into lamps, deities and dancers with hammer, fire and patience.